In the shadowy grandeur of Freemasons’ Hall, Karina Bond unveiled “The Midnight Sun,” a 21-look collection that blurred the line between sculpture and clothing, drawing dreams into dazzling physical form.
London Fashion Week rarely lacks spectacle, but Karina Bond’s Spring/Summer 2026 show, staged in the shadowy grandeur of Freemasons’ Hall’s Vestibules, was something closer to a dream state. Entitled “The Midnight Sun”, the Central Saint Martins graduate turned her runway into an extraterrestrial temple, where fashion bent the rules of reality and shimmered like a sculptural second skin.
Bond’s vision, rooted in the surreal logic of dreams, contrasted sharply with the rise of illusory AI fashion. Here was innovation you could touch: garments painstakingly drawn by hand with 3D pens using biodegradable TPU and PLA filaments. The result was a 21-look ready-to-wear and couture collection that blurred the lines between clothing and art installation.
The standout finale, the “Desert Rose” dress, captured the collection’s futuristic sensibility. Composed of over 5,000 hand-drawn discs inspired by crystalline desert formations, it defied gravity and glowed under the runway lights, a piece no fabric could ever replicate. Bond described it as “a design which would have been impossible to imagine in the past” — and indeed, it felt like a glimpse of fashion’s future.
Elsewhere, a gold sculptural two-piece recalled sun-worship armour, its spiked contours catching the light with an almost celestial energy. A cascade of translucent fringe on another dress moved like liquid moonlight, while body-hugging lattice pieces clung to models with the tension of something between vine and architecture. Each look was a dialogue between fragility and strength, between the organic and the otherworldly.
For the first time, Bond expanded into accessories. 3D-printed handbags, designed for self-assembly and adorned with sensory embellishments, felt like artefacts from a future museum. A collaborative jewellery line with Vicki Sarge — pairing 3D-printed stones with intricate metalwork — added another layer of tactile futurism, with select pieces set for release later this month.
What made the collection compelling was not just its visual impact, but its integrity. Every look was conceived without compromise, liberated from the templates of traditional manufacturing. In her third year of running her eponymous label, Bond continues to push fashion into unfamiliar, thrilling terrain — and London Fashion Week feels all the richer for it.
