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    You are at:Home»Events»Film festivals»Cannes 2025: A Double Tribute to Eternal Love – “A Man and A Woman” Official Posters
    Film festivals

    Cannes 2025: A Double Tribute to Eternal Love – “A Man and A Woman” Official Posters

    22 April 20252 Mins Read
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    In a historic first, the Festival de Cannes has unveiled not one but two official posters for its 2025 edition—honoring the timeless romance of Claude Lelouch’s cinematic masterpiece, A Man and A Woman (1966).

    Cannes 2025 A Double Tribute to Eternal Love – “A Man and A Woman” Official Posters
    © Les Films 13 – A Man and a Woman, Claude Lelouch (1966) / Graphic design © Hartland Villa

    The posters, simple yet profound, feature a man and a woman—side by side, back together. Their silhouettes echo a scene seared into film history: Anouk Aimée and Jean-Louis Trintignant’s tender embrace on a windswept beach, beneath a turbulent sky and the swell of unforgettable music. Sixty years later, Cannes pays tribute to the moment that redefined cinematic intimacy, and to the actors who embodied it.

    “A 3-month-old idea. A 3-week shoot. A 20-second scene. Eternity lasts but a moment in the end,” reads the poetic line that opens the Festival’s tribute. But it was enough to win the Palme d’Or in 1966, two Oscars the following year, and the hearts of audiences worldwide.

    The posters are not just an homage to a film, but to two legendary artists. Anouk Aimée and Jean-Louis Trintignant, both Cannes award-winners in their own right—Best Actress in 1980 and Best Actor in 1969—have since passed on. Yet their performances remain immortal, a luminous force that continues to inspire generations.

    As the world grapples with division and unrest, the Festival seeks unity through art. “During times that seem to want to separate, compartmentalize or subjugate,” reads the release, “the Festival de Cannes wants to (re)unite… to bring bodies, hearts and souls closer together.”

    The dialogue between the film’s lovers captures that spirit: — He: “When something’s not serious, we say it’s like a film. Why aren’t films taken seriously, do you think?”
    — She: “Maybe because we only go to the cinema when all is going well?”
    — He: “So you think we should go when all is going wrong?”
    — She: “Why not?”

    These twin posters serve as a cinematic embrace—an artistic call for hope, tenderness, and shared humanity. This year in Cannes, love returns to the big screen not just as a theme, but as a symbol of resilience.

    A Man. A Woman. A memory. A promise.

    Cannes Cannes 2025 Cannes Film Festival Festival de Cannes

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