For 90 minutes, all three couples have their moment. Kris (James Edge who plays the tall and dumb athlete very well) can only think of one thing – sex – with Kim K. (Yasemin Mireille – who’s got a butt to rival Kim K.s’). And newly-qualified lawyer and Keeping Up With The Kardiashian’s-watching fan Amelia (Amelia Gabriel – very good) and her yet to be successful songwriting husband Stephen (Stephen Hyde – good as well), and by the way who are a couple in real life, are all lovey dovey then bicker about her KUWTK addiction. And Emily Burnett (excellent) plays Countess Almaviva while Nathan Bellis (good) is Count Almaviva. The differences in their background – he comes from aristocracy while she has a less privileged background – causes rifts and tension in their marriage. And the finale of this show takes off in a crescendo-exploding battle of the singing divas and divos as they all fight to save their marriages (except Kim K. because before the end of her marriage to Kris she had already met Kanye West). And we all know that it took Kim and Kris two years to actual get their divorce final because Kim wanted an annulment while Kris wanted an actual divorce.
Hyde, who wrote the music, and Leo Mercer, story and lyrics, have created a unique and timely piece of theatre that is innovative and timely. It’s very unique and is much more interesting that anything the Kardashians get up to themselves.
The Marriage of Kim K. is part of Arcola Theatre’s Grimborn season, where bold new versions of classic operas, rarely-seen and long forgotten works, are being presented until September 2, 2017 For tickets,
Please go to: http://www.arcolatheatre.com/grimeborn/
Photo from Borkowski PR
Review by Tim Baros