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    You are at:Home»Interviews»Couture with a Cause: Gabriel Fuentealba’s Tribute to Cancer Survivors at Cannes
    Interviews

    Couture with a Cause: Gabriel Fuentealba’s Tribute to Cancer Survivors at Cannes

    25 May 20255 Mins Read
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    In the glittering world of the Cannes Film Festival, where fashion often dazzles for its own sake, Chilean designer Gabriel Fuentealba stands apart. Through his debut collection, El Duelo (“The Mourning”), he transforms personal grief into powerful couture, using fashion as a medium to raise awareness about breast and cervical cancer. Handcrafted with meticulous detail, each piece tells a story of resilience and remembrance, challenging traditional notions of red-carpet glamour. In this exclusive interview, Fuentealba shares the inspiration behind his work, the challenges of merging artistry with advocacy, and his vision for a more empathetic fashion industry.

    Designer Gabriel Fuentealba
    Designer Gabriel Fuentealba (Photo by Olga Gasnier/Fabuk)

    Your designs are known for their sculptural silhouettes and bold textures. How did you adapt your creative vision to match the glamour of the Cannes Film Festival?

    One of the core principles of my work is craftsmanship — each piece is entirely handcrafted, making every dress a unique creation. I elevate this artisanal approach to the level of couture. Once the design is complete, the silhouette fitting becomes essential. It’s what brings elegance and red-carpet glamour to life. My goal is for every woman who wears my creations to feel empowered, confident, and as if the dress was made just for her. That personal connection is exactly what the Cannes red carpet calls for.

     

    Cannes is a convergence of global cinema and fashion. How did the festival’s atmosphere influence the presentation of your collection?

    The collection I brought to Cannes was created with a deeper purpose: to raise awareness about breast and cervical cancer. The Cannes Film Festival isn’t just about showcasing commercial films—it also highlights art, politics, and real-life narratives. That made it the perfect platform to introduce my work. Just as cinema is a powerful medium to tell stories, I believe fashion can carry important messages—especially to women who may not yet be fully aware of the importance of preventive healthcare. Fashion, in this context, becomes a tool to educate, inform, and inspire action.

    Can you share the story behind one of the standout pieces showcased at Cannes and what it symbolizes within your collection?

    The inspiration for my awareness efforts began five years ago in my hometown, Punta Arenas in Chilean Patagonia. At one of our early awareness events, we celebrated a model who had just completed cancer treatment. But months later, I learned she had relapsed, and sadly passed away. That moment profoundly impacted me and led to the birth of my first official collection: “El Duelo” (The Mourning). One of the most symbolic pieces was a blue dress worn by Tarina Patel — a psychologist, model, actor, and producer. The piece was designed to evoke the physical and emotional pain caused by cancer, especially the skin effects of radiotherapy. Through this powerful garment, I aim to honor stories of resilience, promote empathy, and encourage prevention.

    Varvara Karimova wearing Gabriel Fuentealba
    Varvara Karimova wearing Gabriel Fuentealba (Photo by Olga Gasnier/Fabuk)

    Your work often blurs the line between fashion and art. How do you balance avant-garde creativity with wearability—especially for high-profile events like Cannes?

    The identity of this collection is rooted in the symbolism of fire — representing strength, resilience, and transformation. I used transformative techniques to build empowering silhouettes, often anchored in corsetry. The structure acts like an armor, designed to make women feel protected, elegant, and powerful. It’s about merging emotion and comfort with sophistication.

    What challenges did you face in preparing for Cannes, and how did they shape your approach to design?

    The process began with pure instinct and experimentation. Initially, I worked with organic fabrics, but many disintegrated under the techniques I was testing — turning to ash, much like how cancer consumes. That discovery pushed me to explore unconventional materials, which allowed me to visually represent the physical and emotional toll of cancer. I also conducted research with doctors and listened to patient and family testimonies. Understanding their psychological and emotional journeys helped me infuse real human experience into each design. Every dress in this collection tells a unique story and carries a distinct spirit.

    Mariya Lesniak wearing Gabriel Fuentealba (Photo by Olga Gasnier/Fabuk)
    Mariya Lesniak wearing Gabriel Fuentealba (Photo by Olga Gasnier/Fabuk)

    What do you hope audiences and wearers take away from your Cannes showcase?

    For me, it was never just about fashion. I want to leave something meaningful behind — something that moves people to feel, reflect, and connect. Whether through the visual of scars, the textures representing radiation burns, or the silhouette of recovery and strength, I hope these pieces spark empathy and awareness. Even in our darkest moments, there is always a spark that drives us forward. That’s the message I want to share — that we are not alone, and that through creativity, we can heal, educate, and inspire.

    Daria Shevchenko wearing Gabriel Fuentealba (Photo by Olga Gasnier/Fabuk)
    Daria Shevchenko wearing Gabriel Fuentealba (Photo by Olga Gasnier/Fabuk)
    El Duelo Gabriel Fuentealba The Mourning

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